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French theatre of the late 18th century : ウィキペディア英語版
French theatre of the late 18th century
(詳細はCommune of Paris in 1789 declared Paris to be a centre for the "foremost theatres of Europe" that served as an "exemplar for foreigners."〔Maslan (2005, 18).〕 An audience's response to the play was important to its success—if a play was received poorly (''claques''), rather than favourably (''cabales''), the play would not receive royalty payments.〔Kennedy (1996, 37).〕
==Theatre of the ''Ancien Régime''==
Before the creation of the National Assembly in 1789, the monarchy supported only three theatres in Paris: the Académie de Musique, the Comédie Italienne, and the Comédie-Française.〔McClellan (2004).〕 Royal patronage resulted in a monopoly over the theatre and safeguarded the monarch from mockery and criticism. It was not until the late 1780s that this system was criticised for preventing the success and freedom enjoyed by theatres elsewhere.
The government of the ''Ancien Régime'' attempted to silence a growing political unrest.〔Ravel (1999).〕 In an attempt to rid society of the disruption caused by "''honnêtes hommes''," the lieutenant-general of police, Marc-Pierre de Voyer de Paulmy d'Argenson, tried to control the behaviour of spectators in theatres.〔Ravel (1999, 135).〕 This resulted in a temporary lull in politicised drama. Nearly all of the top fifty plays of the decade had nothing to do with the Revolution and were uncritical and silent about the revolutionary ideals of liberty.〔Kennedy (1996, 87).〕

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